February 2013

Balthazar Korab: Architect of Photography, a talk by John Comazzi

a2modern’s Spring lecture April 3rd by
John Comazzi, author of Balthazar Korab: Architect of Photography

Balthazar Korab,  Eliel Saarinen, Cranbrook Academy of Arts (Bloomfield Hills, MI, 1938–42), ca. 1978. Mermaids & Tritons bronze sculptures (1930) by Carl Milles in the foreground.

Balthazar Korab, Eliel Saarinen, Cranbrook Academy of Arts (Bloomfield Hills, MI, 1938–42), ca. 1978. Mermaids & Tritons bronze sculptures (1930) by Carl Milles in the foreground.


Please join us for a presentation that will highlight the life and career of Balthazar Korab, one of the most celebrated photographers of architecture practicing throughout the second half of the twentieth century. Korab’s life and career have been detailed in the recent publication, Balthazar Korab: Architect of Photography (Princeton Architectural Press, 2012). In the book, author John Comazzi examines a broad range of Korab’s extensive archive and the extent to which his representations of architecture should be understood in the context of his life experiences, sensibilities, and artistic practices. As such, this talk will reassess the images that have come to define Korab’s professional career—the photography of midcentury Modern architecture— within the broader context of his extraordinary life experiences and training as an architect. Furthermore, Comazzi will present many of Korab’s lesser-known (though no less significant) portfolios of vernacular and industrial architecture that influenced his overall sensibility and approach to his commissions as a professional photographer of architecture.

John Comazzi
John Comazzi is an Associate Professor of Architecture at the University of Minnesota where he teaches design studios and research seminars at both the graduate and undergraduate levels. He holds a Master of Architecture and a Master of Science in Architecture History & Theory from the University of Michigan, and a Bachelor of Science in Architecture from the University of Virginia. From 1999-2000 he was a Lecturer in Architecture at the University of Michigan before joining the architecture faculty at the University of Minnesota in 2006. Through teaching, practice and research his scholarship explores the role of architecture photography in design disciplines and design pedagogy as a model of integrated learning in PK-12 education. In addition to his teaching, he has practiced as a designer in Virginia, Michigan and Minnesota.

He is author Balthazar Korab: Architect of Photography (Princeton Architectural Press, 2012), an illustrated biography on the life and career of Balthazar Korab, one of the most celebrated photographers of architecture practicing during the second half of the twentieth century. The book is the first dedicated solely to Korab’s life and career, and traces his rather circuitous path from post-war Hungary to his professional pursuits as a designer in the office of Eero Saarinen (1955-58) and his career as a professional photographer of architecture (1958-2010).

The lecture will be at 7:00 p.m., Wednesday, April 3rd, Stern Auditorium, University of Michigan Museum of Art.

Thanks to the many sponsors that make this event possible: AIA Huron Valley, American Seating, A. Alfred Taubman College of Architecture and Urban Planning, Bentley Historical Library, Knoll, and University of Michigan Museum of Art.

John’s book, Balthazar Korab: Architect of Photography (Princeton Architectural Press, 2012), will be for sale before the lecture–thanks to Nicola’s bookstore.

Image courtesy of John Comazzi, 01_Korab_092[1C]_FPO: Eliel Saarinen, Cranbrook Academy of Arts (Bloomfield Hills, MI, 1938–42), ca. 1978. Mermaids & Tritons bronze sculptures (1930) by Carl Milles in the foreground.

lecture: PROOF POSITIVE episode 2:5 / Caroline Constant

PROOF POSITIVE episode 2:5 / Caroline Constant

February 14, 2013 01:00 PM
Saarinen Conference Room (Rm. 2224)
University of Michigan Art + Architecture Building

Caroline Constant is Professor of Architecture and Emil Lorch Collegiate Professor of Architecture and Planning (2011-2014) at the University of Michigan Taubman College of Architecture and Urban Planning.

Interests in the social, cultural, and political ramifications of architectural form underlie Constant’s teaching as well as her research in architectural history and theory. Constant teaches design studios at all levels in the curriculum as well as graduate seminars investigating the theoretical, historical and ideological underpinnings of the revolution in western architectural thought that took place during the early decades of the twentieth century and the repercussions for subsequent architectural practice.

Constant’s research, engaging the traditional disciplinary boundaries of architecture by exploring relationships among architecture, landscape architecture and the decorative arts, has been widely published in books and periodicals. In The Modern Architectural Landscape (University of Minnesota Press, 2012), she explores the reintegration of architecture and landscape in twentieth-century architectural practice, a current within modernism that falls outside its polemical boundaries, yet evolves out of its utopian aspirations. Her earlier books, The Palladio Guide (Princeton Architectural Press, 1985) and The Woodland Cemetery: Toward a Spiritual Landscape (Byggförlaget, 1994), comprise earlier efforts to engage related disciplinary issues. In Eileen Gray (Phaidon, 2002), Constant examines the work of this twentieth-century practitioner and theorist whose designs challenged certain theoretical assumptions of modern architecture to reinstate the bodily experience of space as a primary value. In recognition of her work on Eileen Gray, Constant was made an honorary member of the Royal Institute of the Architects of Ireland, a recognition that Gray received late in her life.

brownbag at Kempf House March 13

“Ann Arbor Mid-Century Architects and Domestic Architecture”
Speakers: Nancy Deromedi
 and Grace Shackman
George B. Brigham prefab rendering

Nancy, archivist at UM’s Bentley Historical Library and co-founder of a2modern, and Grace, author of Ann Arbor Observed, will discuss Ann Arbor’s remarkable collection of post-war architect-designed homes in the style known as modern.

LOCATION: Kempf House Museum

312 S. Division St., Ann Arbor, MI 48104
734-994-4898 www.kempfhousemuseum.org

TIME: noon to 1:00 P.M.
Cost: Admission, $2.00 (members, $1.00)

a2modern workshop: How to explore the history of your home-February 21!

30Prize-winningHomesHave you ever wondered what stories your house might be able to tell? No matter the age of your home, this workshop will help you uncover its fascinating history. A history that includes the original homeowners and their stories, land development, architectural plans to kits and builders. Come find out about the free online resources available for researchers while learning techniques and time-saving tricks to help simplify your research process. The workshop will present the resources available at the Bentley Library for research as well as an example of one researcher’s exploration of a midcentury architect and the wealth of projects now overlooked.

Great for amateurs and history buffs alike!
Speakers for this workshop:

  • Karen Jania, Archivist and Head of Reference Services, Bentley Historical Library
  • Connie Locker, Historic Preservation and Interpretation Specialist
  • Anthony Timek, Research Specialist

The workshop will be held February 21, 2013 from 6:30 p.m. to 8:30 p.m. in the Whiting room at the Bentley Historical Library. The Library is located at 1150 Beal Avenue, Ann Arbor, Michigan. Please contact modernists@a2modern.org for any questions regarding the event. The workshop is free.