MID-CENTURY MODERN HOME BY ROBERT METCALF

MID-CENTURY MODERN HOME BY ROBERT METCALF

1075 Chestnut

1075 Chestnut

Coveted, awe-inspiring, and breathtaking—these are the first words that come to mind when describing the architectural brilliance of Robert Metcalf. Built at the height of his career, this exceptional home remains a testament to his visionary design.

Nestled in the heart of Ann Arbor Hills, this stunning residence features three bedrooms, two and a half bathrooms, and a dedicated office that could easily be converted into a fourth bedroom. From the moment you step inside, soaring ceilings, rich redwood paneling, and floor-to-ceiling windows will leave you in awe. The seamless blend of indoor and outdoor spaces fills the home with natural light, creating a serene and inviting atmosphere.

Every corner of this meticulously maintained home showcases thoughtful design. The dining room is ideal for entertaining, while the finished lower level offers abundant storage and potential for further customization. The primary suite has been beautifully updated and includes a private screened-in balcony—a peaceful retreat to unwind.

One of the home’s best-kept secrets is the garden house, complete with in-floor heating, a gas fireplace, and an atrium—your own personal sanctuary. Additional features include skylights, a 20kW generator, a two-car attached garage with dual EV charging stations, a geothermal system, a tranquil waterfall and pond, and professionally landscaped grounds adorned with rhododendrons, daylilies, and more.

This extraordinary home is a rare opportunity to own a piece of architectural history while enjoying modern luxury and timeless design.

 

Architect: Robert Metcalf

Asking price: $1,399,900

Address: 1075 Chestnut Road, Ann Arbor, MI 48105

Realtor Website

Phone: (734) 223-5656

 

Engel Residence Open House

Engel Residence

Engel Residence

A2modern is hosting another open house, on Sunday the 6th of October at the Edward Olencki and Joseph Albano designed house at 3087 Overridge Drive in Ann Arbor Hills. The house was designed for Edwin A. and Dorothy Engel in 1962. Edwin Engel was a professor of English and Dorothy worked in Social Work in Ann Arbor. The Engels occupied the house until 1989 when they sold it to Tom and Sally Klein, who lived there until their retirement to Florida in 2022. The current owners are only the third family to occupy the house and few changes have been made to the original house.

There will be three entry times: 1:00pm, 2:00pm and 3:00 pm and each ticket will cost $15.00.

Click here for tickets.

Eberbach Residence Open House

Eberbach Residence

Eberbach Residence

We are having an open house on Sunday, August 11, at the home of Oscar and Minerva Eberbach. The house was built in 1950 at 2250 Belmont and the architect was Walter Sanders. Sanders was on the UM Architectural faculty, including a stint as chair of architecture.

Sanders designed four houses in Ann Arbor while a UM faculty member and worked with Theodore Larsen on the Unistrut method of constructing a house. His own house, in Barton Hills, 99 Barton North Drive is a Unistrut house.

The Eberbach family is a long time Ann Arbor family. This mid century modern home for Oscar and Minerva represents the third generation of Eberbach’s to have rather grand homes here. Oscar’s grandparents, Christian and Margarethe Eberbach, had an 1863 Italianate style house with tower at 1115 Woodlawn. It was outside the town on their farm when it was built. His father Ottmar had an1884 Victorian towered mansion at the corner of South Fourth Avenue and E. William streets; it’s still there, connected to the drive-through beer place (Harris Tire Company originally) to the west.

Christian Eberbach founded a successful drug store and laboratory equipment manufactory in 1843 and was an officer in the Ann Arbor State Bank. Son Ottmar continued in the pharmaceuticals and scientific equipment business. His son Oscar was also in the pharmaceuticals business, was an officer with the Ann Arbor Bank, and an early investor in the Argus Camera Company. He acted as the Treasurer for the University Musical Society for 12 years. He prided himself on having attended _____ continuous years of May Festivals. The Eberbach Corporation is still in business.

Walter Sanders was also a native of Ann Arbor. But he left and then came back in 1949 to join the University of Michigan architecture faculty. He was trained at the University of Illinois and University of Pennsylvania, taught at Columbia University and Pratt Institute. At the UM he worked with Theodore Larsen on the Unistrut experimental materials to build homes. Theodore Larsen’s own home on East Huron River Drive and Sander’s Barton Hills home are two of the few that were constructed. Assembling the panels turned out to be very time-consuming and they never took off as a building material. Walter Sanders continued to teach, established the first in the country PhD program for architects, was brought back to be the chair again in 1971 and passed away in 1972.

Purchase Tickets Here

Quarton Residence

Quarton Residence, rear view

Quarton Residence, rear view

855 Country Club Road

This house resolutely dismisses the street, but at the same time it puts on a bold show. As one drives in from Country Club Road, a range of clerestory windows pulls the eye up to the roofline, or rooflines, whose pale fascia boards stand out against dark wooden walls. Another surprise awaits around back, where a screen porch, a second-floor balcony, and a second porch above the greenhouse provide views of the forest landscape. Yet another surprise, a garden sanctuary 20′ x 16′ 5″, greets the visitor entering at the left of the garage.

Quarton Residence Floor Plan

Quarton Residence Floor Plan

It is very easy to see out of this house and almost impossible to see in, and in this sense, it is a study of interiority, of home as total environment. The shed roofs create the feeling of airiness in many of the interior spaces through the suggestion of movement overhead. If one desires to go out into nature, there are porches, a balcony and a walkout in the lower level along the back of the house.

Built in 1969 by its designer, Frances Quarton, the house shares the shed roof form popularized by Marcel Breuer. Frances and her twin sister, Priscilla, studied at the Harvard Graduate School of Design in 1942 with Walter Gropius and Marcel Breuer. Priscilla Neel designed her own house (a spare, cinder-block ranch with an orchid house for her husband, James Neel, the famed geneticist) on Belmont Road in Ann Arbor Hills in 1950.

Quarton Residence, front view

Quarton Residence, front view

A variety of updates to the exterior and interior of this house have brought it intact into the 21st century–compare the photographs of the old house on the Ann Arbor Township assessor’s website for yet another surprise.

 

Text by Jeffrey Welch
for a2modern
March 2024

 

About The Architect

Frances Baxter Quarton and her twin sister Priscilla Baxter Neel came from Wollaston Massachusetts. They both graduated from Radcliffe College and then continued studying architecture at Smith College and then both earned scholarships to study at the Harvard Graduate School of Architecture in 1942, under Walter Gropius. Harvard did not have female students at that time in their undergraduate programs but they did accept the women in the Graduate Architecture Program.

Boston Herald, Thursday, July 9, 1942

Boston Herald, Thursday, July 9, 1942

Boston Herald, Sunday, October 18, 1936

Boston Herald, Sunday, October 18, 1936

Both women married soon after they finished their training. Frances married Gardner Cowles Quarton whose family came from Iowa and who was studying medicine at Harvard. Priscilla married James VanGundia Neel, a geneticist who had worked in Washington D.C. during the war and in 1947 took a position in the Genetics program at the University of Michigan. Neither woman went on to become a practicing architect.

Priscilla moved to Ann Arbor in 1951when her husband James V. Neel, joined the genetics faculty in the University of Michigan Medical School. Priscilla designed a home for the family at 2235 Belmont Road in 1951. Its was a period house, single story, large raised fireplace in the living room, 3 bedrooms and a very large back yard. They had 3 children, Frances, James VanGundia Jr., and Alexander Baxter, who all grew up in the house. Dr. Neel had a sterling career in genetics and collected orchids. Their house had an orchid greenhouse on the east side reached from the living room. Dr. Neel died at 84 in the year 2000. Priscilla continued to live in the house until her death in 2013. The house was sold to CR Investments who kept it for a decade, unoccupied, until they had it demolished in early 2024. You can see some photographs of it on the a2modern.org website by finding the article, ‘Tale of a House’ on the site.

Boston Herald, Sunday, August 19, 1942

Boston Herald, Sunday, August 19, 1942

Frances moved to Ann Arbor from Massachusetts in 1969, when her husband took a position at the University of Michigan as director of Mental Health Research Institute and the Neuroscience laboratory. They purchased property on Country Club Road in Barton Hills, a piece of property close to the present day golf course and country club building. Frances designed this house for them in 1969. They had 3 sons, Gardner Jr, William B, and Tom Quarton, who all grew up in the house.
Frances designed a house that was centered by a garden with a series of two story “towers” around it. Dr. Gardner Quarton died in 1989. Frances lived there until her death in 2017. The house stood empty until it was taken over by Matt and Nicole Ridenour who rehabbed the house, the central garden, and put the greenhouse back on the south side.

This house had the good fortune to fall into the hands of creative caring people who have made something special out of a house that was a little “quirky” but very interesting. Enjoy visiting it!

 

Text by Fran Wright
April, 2024

Video and Slide Deck of Miller House and Garden Talk

The Ann Arbor District Library made a video of the recent presentation:

 

Quintessentially Modern—and Midwestern:
Landscape Typologies and Cultural Memes in the
Miller House and Garden, Columbus, Indiana
Peter Osler, speaker

 

 

You can watch the video here, courtesy of the Ann Arbor District Library.

 

 

Peter Osler made the slide deck he prepared available:

Download the slide deck here, courtesy of Peter Osler.

 

 

4875 Crystal Drive, Beulah, Michigan

4875 Crystal Drive, exterior view

4875 Crystal Drive, exterior view

Beautiful Lakehouse by Famed MCM Architect Robert C. Metcalf

4875 Crystal Drive, exterior view

4875 Crystal Drive, exterior view

4875 Crystal Drive, exterior view

4875 Crystal Drive, exterior view

On the north shore of Crystal Lake is an architectural gem: a meticulously constructed mid-century modern home (MCM) designed by Robert C. Metcalf. Metcalf homes are known for fastidious attention to detail, integration of interior and exterior spaces, and high standards of materials and construction. Utilizing natural light with large windows and an open format, the house is sited harmoniously. It has 180 feet of private lake frontage, in pristine condition, within a landscape of natural sand, dunegrass, and native trees. Designed for all-season use, the house is luminous and comfortable any time of year. With expansive lake views, lapping waves, and sunrise and sunset views from all rooms.

Summary: 3 bedrooms, 2 baths, and 2,046 square feet

Architect: Robert C. Metcalf
Built: 1989
Asking price: $2,200,000

Private Showings Available, phone: (231)499-1430

For more information, see the beautifully photographed and very detailed listing at:

http://www.4875crystaldrive.com/

 

4875 Crystal Drive, interior view

4875 Crystal Drive, interior view

4875 Crystal Drive, interior view

4875 Crystal Drive, interior view

4875 Crystal Drive, interior view

4875 Crystal Drive, interior view

4875 Crystal Drive, interior view

4875 Crystal Drive, interior view

4875 Crystal Drive, exterior detail, showing glass block and colored panels

4875 Crystal Drive, exterior detail, showing glass block and colored panels

4875 Crystal Drive, interior, showing glass block details

4875 Crystal Drive, interior, showing glass block details

Miller House and Garden Talk

Miller House and Garden Talk

Quintessentially Modern—and Midwestern:

Landscape Typologies and Cultural Memes in the

Miller House and Garden, Columbus, Indiana

Peter Osler, speaker

 

Sunday, October 1, 2023
2:00 – 3:30 PM Eastern
Ann Arbor District Library Downtown
353 S. 5th Avenue, Ann Arbor, MI 48204
4th Floor Meeting Room
Admission is free, there is no need to register in advance

 

Long hailed as one the most iconic works of mid-20th-century American design, the J. Irwin and Xenia Miller residence (1957) is noted for its material and formal elegance. While the designers—and indeed, the client—for this project were of global importance in both reach and influence, Peter Osler, Architect and Site Designer, FAAR, will present a less common reading of this landmark, emphasizing its abstraction of familiar midwestern landscape typologies and cultural memes.

 

About the speaker: Peter Osler was born into a family with farmers on one side and an obscene number of architects on the other, and has spent his peripatetic adult life as a spatial practitioner and part time academician. He has lived in Ann Arbor—his birthplace, as well as that of his parents—for two-thirds of his life, but has also enjoyed stops in Bloomington, Indiana; Cambridge & Boston; San Francisco; Chicago; Champaign-Urbana; and Rome, Italy. He has taught at the University of Michigan (where he received his B.S. in Natural Resources and where he was Associate Professor of Practice at the Taubman College), the University of Illinois, the Escola Tecnica Superior d’Architectura in Barcelona (ETSAB), the Harvard Graduate School of Design (where he received his professional training in both landscape architecture and architecture), the Illinois Institute of Technology, where he directed the Master of Landscape Architecture Program for its first seven years, and most recently, Washington University, St Louis. He is currently developing a landscape design curriculum for the Women’s Huron Valley Correctional Facility, to improve both employment opportunities for, and the dignity of, its inmates and returning citizens. Osler’s academic interests are focused on modernist site planning and landscape materiality, especially plants as historical and cultural ciphers, their potential as a contemporary art medium, and their maintenance as an untapped source of poetics–a subject about which he has lectured widely, at venues such as the Arts Club of Chicago, the University of British Columbia, Ohio State University, and Harvard.
Professionally, he has worked in architecture, landscape architecture, and urban design practices large and small, and as Campus Landscape Architect and Planner at the Cranbrook Educational Community. He works at a wide variety of landscape types and scales, both as a sole practitioner and in collaboration with larger firms. Recent completed projects range in scale from the outdoor spaces of Title Town in Green Bay, Wisconsin (in collaboration with Design Workshop), which won the Merit Award from state ASLA chapters of Illinois, Wisconsin, and Colorado, to sculptural stainless steel furniture for the Knight Wallace Journalism Fellowship program at the University of Michigan. His designs have been published in the United States, Europe, and Asia, and he has been an invited juror at universities throughout the U.S and in Europe. Having won the Rome Prize in landscape architecture, he is a Fellow of the American Academy in Rome.
Peter’s sister, Molly Osler, was a long-time a2modern board member until her passing in 2019.

The Kingswood School Cranbrook Tour Sponsored by a2modern of Ann Arbor

When: Saturday, March 18, 2023
Where: Cranbrook Educational Community, Bloomfield Hills
Program: Visit to the Collections Wing of the Cranbrook Art Museum
followed by a Visit to the Kingswood Building
Time: 3 hours, 1:00 to 4:00
Tour Leader: Kevin Adkisson, Curator of Cranbrook Collections
at The Cranbrook Center for Collections and Research

 

The Collections Wing

The tour started in the Art Academy Museum with a welcome and introduction by Kevin Adkisson. Kevin covered the biographies of George G. Booth and Ellen S. Booth, Cranbrook’s founders, and the history of the community. Then it was on to the Collections Wing for our group of twenty.

Kevin introducing the tour on the lower level of the art museum

Kevin introducing the tour on the lower level of the art museum

On the way in, the group passed a niche framing a maquette of a figure titled “Precision Craftsmanship,” by Cranbrook Art Academy sculptor, Carl Milles. It was made for the great Hall of Progress in the General Motors building at the Chicago World’s Fair: Century of Progress, 1933. At the fair the worker would stand 16′ high on a pedestal 9′ high.

The workman inspects a connecting rod for possible imperfections

The workman inspects a connecting rod for possible imperfections

First Stop: Cranbrook Archives Reading Room, where architectural drawings, letters, inventory materials, and artifacts, such as a dress designed by Eva-Lisa “Pipsan” Saarinen, were on display around the room. The entire Saarinen family participated in the design and dressing of the Kingswood building. Eliel Saarinen conceived the building, including the leaded glass windows and the Green Lobby with its translucent Pewabic tiles. Loja Saarinen, Eliel’s wife, designed the textiles, such as the large curtains for the entrance doors, and curtains for the classroom, library and dormitory windows, carpet runners for the public corridors, and rugs and mats for the dormitory. Besides furniture, Eliel’s son, Eero, designed the ceiling light panel for the auditorium (this dome form was used again for his Irwin Union Bank & Trust building, in Columbus, IN), and Eliel’s daughter, Pipsan, designed the stenciling for the auditorium walls, the auditorium stage curtain, and the door panels for the private dining room above and visible from both the dining hall and the auditorium.

Saarinen drawing of Kingswood Green Lobby Area

On display in the Archives Reading Room: a part of Eliel Saarinen’s composite drawing of the Kingswood Green Lobby area. The detail featured here is the stairway to the headmistress’s office and administrative offices on the second level.

 

Drawing table lamps for Kingswood School

In this detail, a drawing of the base of a wooden desk lamp, designed by Eero Saarinen. At age 19, Eero was invited to design all the furniture, including for the auditorium, dining hall, offices, classrooms, public reception areas and dormitory. Also, there are two ceramic pieces by him.

 

 

Second Stop: Upstairs from the Archive Reading Room, in the Plaza Vault, Kevin had on display Eliel Saarinen designed furniture, silver, textiles and other artifacts. Saarinen designed flatware

This silver service was expressly designed for use in Saarinen House. Eliel Saarinen invented and patented the design for a short-bladed knife. According to Kevin, this particular silver pattern is still available for purchase.

Kevin Adkisson shows items from the Cranbrook Archives Plaza Vault

Kevin is explaining how the museum obtained from Finland the blond table and chair behind his head. They are originals from Eliel Saarinen’s Helsinki Railroad Station (1914). To the left: a Kingswood dining hall sideboard with silver service, ceramic place setting, and chair behind.

The Kingswood Building

Next Stop: Entrance to the auditorium/dining hall/dormitory block on the Kingswood Oval. The site of the large leaded glass window in the central block was, at first, going to be the main entrance to this wing, but later the entrance was moved to the left side where the columned porch provided sheltered access.

Kingswood School showing main entrance

Note the stacking motif on the chimneys. The distant one is for the house for the first headmistress.

 

 

Kingswood School under columned porch

The columned porch spans the south wall of the Kingswood dining hall. The photo is taken standing at the entrance doorway.

 

To replace the original entrance porch, Eliel Saarinen designed this magnificent leaded glass window featuring the stacking motif characteristic throughout the Kingswood building.

Window Tracery

The large window illuminates the waiting area inside the entrance doors to the right.

The Kingswood Dining Hall, with tables and chairs, the Queen of the May tapestry on the wall, and leaded glass clerestory windows. Note the two aluminum torchiers flanking the tapestry.

Kingswood School dining hall

 

Across from the Dining Hall, the Kingswood Auditorium expands the space to accommodate very large groups that can circulate from one to the other. When preferred, both dining hall and auditorium spaces can be sealed off by means of heavy, leaded glass pocket doors.

Kingswood School auditorium

Note Pipsan’s stenciled stage curtain and Eero’s ceiling light panel with 40 domed light fixtures.

The Green Lobby is the ceremonial reception area for Kingswood, with the Dean’s office to the right, and access to the library wing behind. The Green Lobby space divides the dining hall/auditorium/dormitory area, to the right, from the classroom area, to the left.

Kingswood School Green Lobby looking toward entrance doors

The room pictured below is in the study hall wing, part of the classroom area arrayed around the Diana Courtyard. This room is now an informal gathering space in the Kingswood library.

Kingswood School library

Our Last Stop: The Kingswood Weaving Studio. Established by Loja Saarinen when the school opened in 1931, this room affirms that the arts remain a central element in a Cranbrook education. There are 60 looms in use today. Kevin had ready for us a newly finished weaving (rather reweaving) of a Loja Saarinen design for Saarinen House. This curtain panel took 4 months to weave and was funded by a grant from Finlandia Foundation National and donors to the Cranbrook Center for Collections and Research’s 2022 “House Party” fundraiser. It was woven by Cranbrook alumnae, Paula Stebbins Becker (Cranbrook Academy of Art Fiber Department 1993) and Sim Rosseau (Cranbrook Kingswood Upper School 2017).

Reweaving of a Lola Saarinen design for Saarinen House

Here Kevin is unwrapping and holding it up for display. The curtain panel was woven on a Cranbrook loom, especially designed at Cranbrook for use by Studio Loja Saarinen.
The weaving studio exits onto the great entrance porch across from the Green Lobby. When the group spilled out onto the entrance porch, the sky was blue and the sun was shining even as a light squall filled up the Diana Courtyard with swirling snow. It was a scene from Fellini, for sure, and an appropriate conclusion for this magical experience conducted by Kevin Adkisson, The Man Who Knows.

Kingswood School courtyard

Note the stacking motif in the chimney and in the borders of the walkway in the direction of the Diana Fountain, pedestal and basin. The tawny porch column and base to the right or carved from Mankato stone.

Photos courtesy of Susan Wineberg and Jeffrey Welch.
Text and layout by Jeffrey Welch