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Three Michigan Architects: Osler, Metcalf, and Brigham / a Symposium on their Domestic Architecture in Ann Arbor

You are invited to a symposium of “Three Michigan Architects” on their Domestic Architecture in Ann Arbor

See full program with images: http://umma.umich.edu/insider/3ma-symposium

Sunday, October 5
2:00pm–6:00pm
​Helmut Stern Auditorium

The exhibition series Three Michigan Architects: Osler, Metcalf, and Brigham comes to its conclusion with a symposium that brings together faculty from the U-M School of Architecture and Urban Planning with leading figures from UMMA and the Bentley Historical Library. Learn more about the current installment, Three Michigan Architects: Part 3–George Brigham.

SYMPOSIUM SCHEDULE

2:00pm–3:30pm: Session I – Contextualizing the Modern Houses of Ann Arbor​

Session I explores the wider importance of this circle of Ann Arbor-based architects, situating their regional body of domestic work into the larger context of modern architecture in the U.S. that developed on the East Coast and West Coast from the 1930s–1980.

Keynote Speaker: Joseph Rosa (UMMA)

Panel: : Doug Kelbaugh, Monica Ponce de Leon, Robert Beckley (Taubman College of Architecture and Urban Planning)​

Moderator: Claire Zimmerman (Taubman College of Architecture and Urban Planning)

3:30pm–4:30pm: Reception with refreshments, UMMA Commons​

4:30pm–6:00pm: Session II – Preservation, Restoration, and Revival of the Modern Houses of Ann Arbor​

Session II examines the role of the archive in preserving the architectural legacy of these architects and informing efforts at restoration and revival.

Keynote speaker: Nancy Bartlett (Bentley Historical Library)

Panel: Nancy Deromedi (Bentley Historical Library), Greg Saldaña, Craig Borum (Taubman College of Architecture and Urban Planning)

Moderator: Claire Zimmerman (Taubman College of Architecture and Urban Planning)

The exhibition Three Michigan Architects: Part 3 – George Brigham will be open for viewing until 6:30 pm.

More information about the symposium participants (in alpha order):

NANCY BARTLETT
Nancy Bartlett is Associate Director for Academic Programs and Collections Development at the Bentley Historical Library, University of Michigan. She has authored a volume on the history of the University of Michigan A. Alfred Taubman College of Architecture and Urban Planning, entitled More Than A Handsome Box: Education in Architecture at the University of Michigan, 1876-1986. An advocate of architectural archives, she secured several of the modernist architects’ collections at the Bentley Historical Library.


ROBERT BECKLEY

Robert Beckley was Dean of the Taubman College of Architecture and Urban Planning from 1987 to 1997. Prior to that he was a Professor, Chair, Acting Dean, and Research Scientist in the School of Architecture and Urban Planning at the University of Wisconsin-Milwaukee, a school he helped found. For over a decade he was also a principal in the award-winning firm Beckley-Myers, Architects in Milwaukee. He has just published his first novel, The Architect’s Suicide: a fictional account.

CRAIG BORUM
Craig Borum is a Professor at the Taubman College of Architecture and Urban Planning and the founding principal at PLY Architecture in Ann Arbor, Michigan, which he established in 1999 as a collaborative design studio seeking to strike a balance between client commissions, funded research, and design competitions. PLY is both a professional practice and an extension of his role as designer, maker, thinker and educator. Through PLY, his creative practice and design research have garnered considerable accolades for outstanding design quality, an inventive use of common materials, and dynamic award winning projects deeply rooted in the context from which they emerge. His work continues to explore the interdependent relationships of architecture and site, and the intersection of geometry and materiality. In 2012 he completed the restoration of Metcalf’s Crane Residence. He is currently working on the restoration and renovations at 3 Metcalf houses (Forsythe, Elliott and Akil/Watson) in Ann Arbor, Osler’s Fosdick House and Brigham’s Levinthal House.

NANCY DEROMEDI
Nancy Deromedi is Associate Director for Curation at the Bentley Historical Library, where she oversees all curation activities, and is one of the founders of a2modern. Her interest in Ann Arbor’s contributions to modernism took hold when she and her husband, David, purchased the Brigham-designed “Leslie and Mary White” home in 2005 and worked with Robert Metcalf on the home’s renovations. In 2010, Nancy and Tracy Aris, a fellow Brigham homeowner, along with other interested homeowners and local historians founded the architectural history group a2modern to raise the awareness and preservation of modern architecture and design in Ann Arbor. Nancy has collaborated with Grace Shackman on “Modern in Ann Arbor” Atomic Ranch, Winter 2012 and “Birth of the Cube Farm” Ann Arbor Observer, June 2014. a2modern has also published a detailed map of 86 selected residential properties in the Ann Arbor hills/Arboretum/Geddes area.

DOUGLAS KELBAUGH
Douglas Kelbaugh, Professor and former Dean of the University of Michigan’s Taubman College, was principal in Kelbaugh and Lee from 1977 to 1985, an architecture firm that won 15 design awards and competitions while pioneering passive solar design. As Chair of the Architecture Department at the University of Washington and principal in Kelbaugh, Calthorpe Associates, he edited The Pedestrian Pocket Book and authored Common Place: Toward Neighborhood and Regional Design and Repairing the American Metropolis. He co-edited The Michigan Debates on Urbanism in 2005 and Writing Urbanism in 2008. While on leave in 2008 -2010, he was Executive Director of Design and Planning in a Dubai-based development company with projects throughout the Eastern Hemisphere.


MONICA PONCE DE LEON

Monica Ponce de Leon was appointed Dean and Eliel Saarinen Collegiate Professor of Architecture and Urban Planning of University of Michigan’s Taubman College of Architecture and Urban Planning in September 2008. In 1991, she co-founded Office dA and in 2011 launched her own design practice; Monica Ponce de Leon Studio. She joined the Harvard Graduate School of Design faculty in 1996, where she was a Professor of Architecture and the Director of the Digital Lab. She has also held teaching appointments at Northeastern University, the Southern California Institute of Architecture, Rhode Island School of Design and Georgia Institute of Technology among others. Her practice has received over 60 design awards including the AIA’s Institute Honor Award for Architecture (Macallen Building, 2010), Honor Award for Design Excellence, AIA New York Chapter (200 West Street Project Team (including Office dA), 2010), Wallpaper Design Awards Best New Restaurant (Banq, 2009), the AIA/LA Design Award (Helios House, 2007), the AIA/ALA Library Building Award (Fleet Library at RISD, 2007), the AIA/Committee on the Environment’s Top Ten Green Projects (Macallen Building, 2008), five I.D. Magazine Annual Design Review Awards and eight Progressive Architecture Awards.

JOSEPH ROSA
Joseph Rosa is Director of the University of Michigan Museum of Art (UMMA), a position he has held since July 2010. At the University, Rosa also chairs the President’s Advisory Committee on Public Art and is a Professor of Architecture at the Taubman College of Architecture and Urban Planning. Prior to his arrival at the University of Michigan, Rosa was the John H. Bryan Curatorial Chair of Architecture and Design at the Art Institute of Chicago, the Helen Hilton Raiser Curator of Architecture and Design at the San Francisco Museum of Modern Art, the Curator of Architecture at the Heinz Architectural Center at the Carnegie Museum of Art in Pittsburgh, PA, the Chief Curator at the National Building Museum in Washington, DC, and the Director of the Columbia Architecture Galleries. Rosa is a prolific author, with 16 books as well as numerous articles and essays to his credit. His research addresses modern architecture and the representation of architecture through photograph, film, and the design arts. His body of work as a curator also spans historical to contemporary architecture, with a focus on bringing emerging issues in architecture to the general public as well as repositioning historical figures through a contemporary framework. Over his career he has curated 50 exhibitions.

GREGORY SALDANA
Gregory Saldaña teaches masters and post professional documentation and architectural preservation courses at Taubman College of Architecture & Urban Planning. His research is focused on the preservation of modern architecture in the American cultural context, with a particular interest in industrial and regional influences. Since joining the faculty in 2009, he has curated exhibitions addressing the history and speculative future of modern architecture, including: Modernism at Risk / Michigan Matters, Constructing Modern: The Work of Robert C. Metcalf, and most recently Michigan Modern: Design That Shaped America hosted by Cranbrook Art Museum. Saldaña received his BFA and BARCH from the Rhode Island School of Design, and a Master of Science in Historic Preservation from the University of Pennsylvania. He is a member of MPdL Studio, an architecture firm with offices in Ann Arbor, Boston, and New York City.


CLAIRE ZIMMERMAN

Claire Zimmerman is Associate Professor of History of Art and at the Taubman College of Architecture and Urban Planning. She teaches courses on 19th- and 20th-century European and American architecture with research emphases on architectural media and industrialization. She is currently curating an exhibition at Tate Britain, opening November 2014 and entitled New Brutalist Image 1949-1955 with Victoria Walsh, Royal College of Art, London. Zimmerman’s book Photographic Architecture in the Twentieth Century (University of Minnesota Press, 2014) joins a co-edited essay collection, Neo-avant-garde and Postmodern: Postwar Architecture in Britain and Beyond (with Mark Crinson) that appeared as Volume 21 in the Yale Studies in British Art (Yale University Press) in fall 2010. An earlier monograph, Ludwig Mies van der Rohe was published by Taschen in 2006.
Three Michigan Architects: Osler, Metcalf, and Brigham is part of the U-M Collections Collaborations series, which showcases the renowned and diverse collections of the University of Michigan. This series inaugurates UMMA’s collaboration with the Bentley Historical Library and is generously supported by the Andrew W. Mellon Foundation. Lead support for Three Michigan Architects is provided by the University of Michigan Office of the Vice President for Research.
This symposium is made possible by the Andrew W. Mellon Foundation and the University of Michigan Office of the Vice President for Research.
Top left image: David Osler, Architect, Mundus Residence exterior, Ann Arbor, MI, 1978; Greg Hursley, Photographer; Courtesy of the University of Michigan Bentley Historical Library Top middle: Robert C. Metcalf, Architect, Metcalf Residence exterior, Ann Arbor, MI, 1952-1953, Photograph by Galbraith Photography, Courtesy of the U-M Bentley Historical Library Bottom middle: Robert C. Metcalf, c. 1960. Image courtesy of the Bentley Historical Library, University of Michigan, Ann Arbor Top right: George B. Brigham, Architect, Hazen Residence exterior, Ann Arbor, MI, 1949, Courtesy of the U-M Bentley Historical Library

Ann Arbor City Historic Preservation Awards-Congratulations!

Each June, the Historic Preservation Award Committee selects a number of properties for Rehabilitation or Preservation awards. This year was the 30th year for the awards and several modern property owners were recognized. They are Ken Wisniski and Linda Dintenfass; Dr. Howard Shapiro, Steve Sivak and Akhavan Rayhaneh. Thanks all for caring so well for your properties! See the handout below (PDF) for a description of all award winners including Preservationist of the Year and Special Merit winners Susan Wineberg and Patrick McCauley for their book “Historic Ann Arbor: An Architectural Guide.”

201406preservationawardshandout

Event at David Osler's Former Architectural Studio-Thank you!

Thanks to all that made the event on August 10th, 2014 at David Osler’s former architectural studio and former Ann Arbor Light and Power station a memorable afternoon. Thanks to Molly and Connie Osler for sharing so much about the history of the building, the work on restoring the building and how it was used. Thanks to the current owners Dr. Kristine Freeark and Dr. Robert Zucker for opening the building to a2modern and sharing your experience with working with David Osler on retrofitting the space to work for your business. And, thanks to Helen Aminoff, Osler’s office manager and several former employees for being there to share your stories! Enjoy a few photographs courtesy of Susan Wineberg.

916 Fuller- Molly Osler- Nancy Deromedo-Connie Osler-1916 Fuller- the current owners and Molly Osler916 Fuller- looking down spiral stairs- 2014916 Fuller- former waiting room and Mexican tiles

Three Michigan Architects: Part 3—George Brigham (new addition, Free Press Review)

Three Michigan Architects: Part 3—George Brigham

Also, see August 21 review of the show by Michael Hodges, Detroit Free Press.

Wayne Hazen residence

July 19–October 12, 2014

Three Michigan Architects: Part 3—George Brigham is the last in a series of three consecutive exhibitions. Part 1 of the series presented the work of David Osler (December 21, 2013–March 30, 2014) and Part 2, the work of Robert Metcalf (April 5–July 13, 2014). The series will culminate on October 5, 2014 with a symposium that will explore the importance of this circle of Ann Arbor-based architects, situating their regional body of domestic work into the larger context of modern architecture in the U.S. that developed on the East Coast and West Coast from the 1930s–1980s. Symposium participants include UMMA Director Joseph Rosa, Head of the University Archives Program at the Bentley Historical Library Nancy Bartlett, Bentley Associate Archivist and Head of Digital Curation Services Nancy Deromedi, and Taubman College of Architecture and Urban Planning faculty Claire Zimmerman, Greg Saldaña, Craig Borum, and Robert Beckley.

This exhibition is part of the U-M Collections Collaborations series, which showcases the renowned and diverse collections of the University of Michigan. This series inaugurates UMMA’s collaboration with the Bentley Historical Library, and is generously supported by the Andrew W. Mellon Foundation. Lead support for Three Michigan Architects.

Image source: George B. Brigham, Architect, Hazen Residence exterior, Ann Arbor, MI, 1949, Courtesy of the U-M Bentley Historical Library

Patterson house tour: thank you!

patterson3

a2modern thanks everyone who came Saturday to the Patterson House tour! We would like to thank the homeowners, Audra Wenzlow and Dave Hollinden; special guests Eunice Burns and Ann Ormand; and several UMMA docents. We hope you enjoyed the afternoon and wanted to note that the Robert C. Metcalf exhibit at the University of Michigan Museum of Art ends July 13th.

Rendering: Robert C. Metcalf Collection, Bentley Historical Library, University of Michigan

a2modern is a 501(c)(3) non-profit organization formed to raise the appreciation and awareness of modern architecture and design in Ann Arbor. Contact: modernists@a2modern.org

Paul Evans: Crossing Boundaries and Crafting Modernism (exhibit at Cranbrook)

Paul Evans: Crossing Boundaries and Crafting Modernism
ArtMembers’ Opening Reception: Friday, June 20, 2014
Public Exhibition Dates: June 21, 2014 – October 12, 2014
Note: Cranbrook Art Museum will be closed Friday, July 4, 2014

This first comprehensive survey of Paul Evans’s work, this exhibition will document Evans’s role in the midcentury American studio furniture movement, his approach to furniture as sculpture and abstract composition, and his unremitting new approaches to metal. Opening earlier this year at the Michener Art Museum in Doylestown, Pennsylvania, and then traveling to Cranbrook Art Museum—the only other venue for the exhibition—Paul Evans: Crossing Boundaries and Crafting Modernism will be comprised of some sixty-eight works, spanning the artist’s entire career. It includes choice examples of Evans’s early metalwork and jewelry, collaborative pieces made by Evans and Phillip Lloyd Powell during the fifties when they shared a studio, as well as a comprehensive selection of Evans’s studio work representing his sculpted steel; verdigris copper; copper, bronze and pewter; argenté sculpted bronze, and cityscape techniques. The show will also include examples of Evans’s sculpture as well as a selection of work he produced for Directional Furniture Company. The presentation at Cranbrook Art Museum will include work by Evans’s contemporaries selected from Cranbrook’s permanent collection, including the celebrated Shuey Collection, placing his pioneering designs for furniture with the context of concurrent trends in midcentury art and design.

Paul Evans studied Metalsmithing at Cranbrook Academy of Art in 1952 and 1953, working with Artist-in-Residence Richard Thomas.

For an interview with architects Tod Williams and Billie Tsien on Paul Evans, please click here.

Paul Evans: Crossing Boundaries and Crafting Modernism was organized by the James A. Michener Art Museum, Doylestown, Pennsylvania, and curated by Constance Kimmerle. The presentation at Cranbrook is supported, in part, by the David Klein and Kathryn Ostrove Exhibition Fund.

a2modern is officially a 501 (c) 3 organization

(June 2, 2014)

a2modern is now a not for profit 501 (c) 3 organization! As of today, a2modern can accept donations, gifts, and other transfers to the organization. All proceeds from the organization are used for the mission of the organization which is to raise the awareness and appreciation of modern design and architecture. To date, a2modern has done this through programs, tours, research, lectures and printed materials like the a2modern map! Please consider giving to a2modern to continue the work we have been doing and to support new programs and projects!

Expanding the Line: Architectural Delineation (exhibit closes May 30th!)

Expanding the Line: Architectural Delineation

Exhibit: April 14th-May 30th

Location: Gallery One, Washtenaw Community College Student Center Building Room 108

This exhibition chronicles architectural drawing techniques from the 1920’s through the present day with illustrations of local buildings. Methods include drawing on vellum, mylar, and blueprint as well as sepia and blackline reproduction techniques. Technologies include a pin register drafting system, Computer-Aided Drafting, laser scanning, and Building Information Modeling (BIM).

Exhibits will include Hill Auditorium and General Motors Headquarters by Albert Kahn Associates, the Jean Paul Slusser home by George B. Brigham, the Dale Fosdick residence by David W. Osler, and the E. W. Reynolds home by Robert C. Metcalf.

Gallery One is located on the first floor of WCC’s Student Center building. Its hours are Monday and Tuesday from 10:00am to 6:00pm, Wednesday and Thursday from 10:00am to 8:00pm, and Friday from 10:00am to noon.

See WCC site for further information.

"Historic Ann Arbor: An Architectural Guide" Book signing this Thursday 5/22

For Immediate Release
May 10, 2014

The Ann Arbor Historical Foundation proudly announces the publication its new book Historic Ann Arbor: An Architectural Guide.
The book describes over 350 buildings in Ann Arbor, including 40 University of Michigan buildings. Style sections describe those of the 19th and 20th centuries including Mid-Century Modern. Superb examples of this style can be found in many parts of Ann Arbor.
The authors, Susan Wineberg and Patrick McCauley, will be signing books at a book release event on May 22 from 4-8 PM at the Ann Arbor City Club at 1830 Washtenaw Ave. Refreshments will also be served.

Contacts:
Patricia Austin, pkweaustin@comcast.net, President of the Foundation
Susan Wineberg, swines@umich.edu
Patrick McCauley, patrickmmccauley@hotmail.com

Book Flyer 3

Michigan Modern: Design That Shaped America, GRAM exhibit now open!

Michigan Modern: Design That Shaped America
Exhibit now open through August 24, 2014
Grand Rapids Art Museum, Grand Rapids, Michigan
For more information on the exhibit and video see: http://www.artmuseumgr.org/michigan-modern/

When Michigan’s industry and design intertwined, Michigan became an epicenter of modern design, with visionaries statewide turning from the simple generation of products to design that rippled throughout the country. Detroit’s automobile manufacturers styled automobiles synonymous with the American dream. The state’s furniture designers revolutionized the look of the American office and home. Michigan architects Albert Kahn, Eero Saarinen, and Minoru Yamasaki defined an era. Michigan’s industry, prosperity, and educational institutions attracted the design talent that formed the foundation for modern American design. This exhibition celebrates Michigan’s outstanding contributions to Modern design, and highlights the people who made it happen.

This exhibition was organized by the Michigan State Historic Preservation Office in association with Cranbrook Art Museum and curated by MPdL Studio of Ann Arbor, Michigan.

Also, see review article by Jeffrey Kaczmarczyk | jkaczmarczyk@mlive.com at: http://www.mlive.com/entertainment/grand-rapids/index.ssf/2014/05/how_michigan_designs_shaped_th.html#incart_river_default