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Exhibit: East Lansing Modern

East Lansing Modern, 1940 – 1970
Michigan State University Museum Ground Floor, April 28 – August 18, 2013

Opening Reception: Sunday, April 28, 2-4 PM. Gallery Talk at 3PM

East Lansing itself is on exhibit at the Michigan State University Museum as “East Lansing Modern, 1940-1970” explores the city’s place in Michigan’s modern design heritage. Especially following World War II, East Lansing’s population grew dramatically, and with that boom came a need for additional housing for GI-Bill students and their families, as well as MSU faculty. Many bought traditional residences within walking distance of the campus, yet several embraced modernist principles and worked primarily with local architects to design their homes.

“Modernist architecture, characterized by low, flat roofs, large areas of glazing and new technologies, reflected a changing, more informal lifestyle,” notes MSU Museum Exhibition Curator Susan J. Bandes, also MSU professor of art history and visual culture. “For modernist homes, often the street view is modest and belies the openness, use of space, light and unexpected design elements of the interior.”

Commercial, religious and professional buildings along Abbot Road are among East Lansing’s most modern, while modernist homes are sandwiched between older ones and in the northern sections of the city annexed in the 1950s. In addition to a number of private residences, the exhibit features many recognizable modernist landmarks: Glencairn Elementary School, East Lansing Public Library, Edgewood United Church, Eastminster Church, Shaarey Zedek Synagogue, Michigan Education Association headquarters, and the Michigan State Medical Society, designed by renowned World Trade Center (1971) architect Minoru Yamasaki.

Locals will likely recognize a couple of other modernist mainstays, even if they aren’t familiar with their origins: Bell’s Pizza (formerly Dawn’s Donuts) and Biggby’s first café (originally Arby’s), both on Grand River Ave., are prime examples of “Googie” architecture. The Googie trend, originating in California, featured steeply pitched, sharp angled roofs and a futuristic feel — making for exuberant, unrestrained designs that called attention to themselves.

Inspiration for the exhibit began with the State Historic Preservation Office’s “Michigan Modern” project to inventory modernist architecture across the state. From there students in Bandes’ Fall 2012 “Michigan Modern” course researched East Lansing’s architectural examples, and then Bandes and a team of research assistants completed the exhibit in the spring. (For more, see michiganmodern.org)

A driving/biking tour is in development and in 2014, MSU Press will also publish a book by Bandes’ with a more comprehensive look at East Lansing’s architecture.

Visitors to “East Lansing Modern, 1940-1970” will also get a look of sorts inside the modernist homes. Furnishings, small appliances, tableware and other decorative arts – some produced by MSU art faculty – will be featured in the exhibit, drawn mainly from MSU Museum and Eli and Edythe Broad Art Museum collections. Many of the designs reflect the modernist sensibilities valuing informality, simplicity, bright, optimistic color palettes and a moderate price to make them available to middle-class consumers.

Upcoming programs:
Tuesday, May 14, 5 p.m.
Film screening: “East Lansing: The City We Know,” 30-minute documentary on the history of the city; followed by exhibition tour

Saturday, June 9, 2 – 3:30 p.m.
Workshop: “How to Research Your Home,” led by Whitney Miller, University Archivist at MSU and author of “East Lansing, Collegeville Revisited.”

Also in the works (more details to come soon):
Thursday, July 18, 5:30 – 8 p.m.
“Twilight with Frank Lloyd Wright: Goetsch-Winckler House,” a chance to visit the famed Frank Lloyd Wright-designed Goetsch-Winckler House in Okemos; fundraiser for the Michigan State University Museum, the science and culture museum at MSU; space is limited.

For further information see: http://museum.msu.edu/?q=node/987 or download flyer.

DAADS Michigan Modernism Preview Party-Ticket Winner

It’s preview party time for the Detroit Area Art Deco Society as the mid-century enthusiasts open up the Michigan Modernism Exposition on April 26, 7 – 10 p.m.

And, DAADS would like to giveaway one set of tickets (2 tickets, $130 value) to it’s annual party to an A2MODERN enthusiast. The tickets will be selected by a random drawing that will be held April 19th. To enter the drawing, send a message with the name of your favorite deco or modern building in Ann Arbor to modernists@a2modern.org.

CONGRATULATIONS to Courtenay Michmerhuizen. Courtenay is the winner of two tickets to the DAADS PREVIEW PARTY. Have fun! And, for others interested in attending the party, tickets are still available–see link below.

Go Mod 6x9

The annual art deco affair offers you and your guests first dibs on some of the best 20th century antiques and fine arts from the international market while enjoying complimentary wine and hors d’oeuvres.

This year we’re pulling out all the stops as Cari Cucksey of HGTV Cash and Cari joins us as our honorary chair for the Friday night preview party.

We’re stepping up the hors d’oeuvres as 2 Unique Catering steps in to present a large variety of the super delicious sweets and savories for you to enjoy all evening.

We envelope the entire venue with classic and modern sounds to set the tone featuring none other than Evan Perri of Hot Club Detroit.

On exhibit is Detroit’s Lost History by Dan Austin with a fantastic display of vintage postcard images courtesy of the Detroit Historical Society at the DAADS booth.

Lastly we’ll have on view a vintage 1931 Studebaker President Eight.

Preview party tickets are $65 in advance and can be purchased now at daads.org or by calling 248-582-3326. 

Proceeds from the preview party benefit DAADS scholarship, restoration and preservation programs.

Purchase your tickets online.

Location: The Southfield Civic Center 26000 Evergreen Road 
(at 10 1/2 Mile Road)
 Southfield, MI
Preview Party: Friday April 26, 7pm – 10pm

Modernism Expo: Saturday 10am – 6pm,
 Sunday 12pm – 5pm

MICHIGAN MODERN: Design that Shaped America–early bird registration ends 5.22

MICHIGAN MODERN: Design that Shaped America
Cranbrook Educational Community, Bloomfield Hills, June 13-16, 2013

Michigan was an epicenter of modern design in postwar America. Through its design industry, companies like Herman Miller and General Motors and designers Charles Eames, George Nelson, Harley Earl, Eero Saarinen and Minoru Yamasaki shaped the American dream and brought good design to the masses. Join us as we tell the Michigan Modern story through a symposium at the Cranbrook Educational Community and an exhibition at the Cranbrook Art Museum.

To learn more about the event, download the symposium registration brochure.

For a printer-friendly copy of the symposium brochure, click here. To request a hard copy, contact us by email or by telephone, 517.373.1630.

Deadline
May 31, 2013. Advance registration is required.
Conference registration is limited to 500 participants, so we encourage you to register early.

Fees
Early Bird registration: $375
Late registration after May 22: $425
To register, please visit: www.regonline.com/michiganmodern2013.
If you have questions, please email us at michiganmodern@michigan.gov.
We look forward to seeing you in June!

Detroit Art Deco Society's Michigan Modernism Preview Party 4.26

It’s preview party time for the Detroit Area Art Deco Society as the mid-century enthusiasts open up the Michigan Modernism Exposition on April 26, 7 – 10 p.m.

Go Mod 6x9

The annual art deco affair offers you and your guests first dibs on some of the best 20th century antiques and fine arts from the international market while enjoying complimentary wine and hors d’oeuvres.

This year we’re pulling out all the stops as Cari Cucksey of HGTV Cash and Cari joins us as our honorary chair for the Friday night preview party.

We’re stepping up the hors d’oeuvres as 2 Unique Catering steps in to present a large variety of the super delicious sweets and savories for you to enjoy all evening.

We envelope the entire venue with classic and modern sounds to set the tone featuring none other than Evan Perri of Hot Club Detroit.

On exhibit is Detroit’s Lost History by Dan Austin with a fantastic display of vintage postcard images courtesy of the Detroit Historical Society at the DAADS booth.

Lastly we’ll have on view a vintage 1931 Studebaker President Eight.

Preview party tickets are $65 in advance and can be purchased now at daads.org or by calling 248-582-3326. 

Proceeds from the preview party benefit DAADS scholarship, restoration and preservation programs.

Purchase your tickets online.

Location: The Southfield Civic Center 26000 Evergreen Road 
(at 10 1/2 Mile Road)
 Southfield, MI
Preview Party: Friday April 26, 7pm – 10pm

Modernism Expo: Saturday 10am – 6pm,
 Sunday 12pm – 5pm

lecture: PROOF POSITIVE episode 2:5 / Caroline Constant

PROOF POSITIVE episode 2:5 / Caroline Constant

February 14, 2013 01:00 PM
Saarinen Conference Room (Rm. 2224)
University of Michigan Art + Architecture Building

Caroline Constant is Professor of Architecture and Emil Lorch Collegiate Professor of Architecture and Planning (2011-2014) at the University of Michigan Taubman College of Architecture and Urban Planning.

Interests in the social, cultural, and political ramifications of architectural form underlie Constant’s teaching as well as her research in architectural history and theory. Constant teaches design studios at all levels in the curriculum as well as graduate seminars investigating the theoretical, historical and ideological underpinnings of the revolution in western architectural thought that took place during the early decades of the twentieth century and the repercussions for subsequent architectural practice.

Constant’s research, engaging the traditional disciplinary boundaries of architecture by exploring relationships among architecture, landscape architecture and the decorative arts, has been widely published in books and periodicals. In The Modern Architectural Landscape (University of Minnesota Press, 2012), she explores the reintegration of architecture and landscape in twentieth-century architectural practice, a current within modernism that falls outside its polemical boundaries, yet evolves out of its utopian aspirations. Her earlier books, The Palladio Guide (Princeton Architectural Press, 1985) and The Woodland Cemetery: Toward a Spiritual Landscape (Byggförlaget, 1994), comprise earlier efforts to engage related disciplinary issues. In Eileen Gray (Phaidon, 2002), Constant examines the work of this twentieth-century practitioner and theorist whose designs challenged certain theoretical assumptions of modern architecture to reinstate the bodily experience of space as a primary value. In recognition of her work on Eileen Gray, Constant was made an honorary member of the Royal Institute of the Architects of Ireland, a recognition that Gray received late in her life.

Michigan Based Architectural Photographer Balthazar Korab Dies

Troy Michigan Based Architectural Photographer
Balthazar Korab Dies

In an announcement sent by the Michigan Chapter of the American Institute of Architects on Tuesday, January 15, 2013, the world learned of the passing of famed architectural photographer Balthazar Korab. Mr. Korab, who the subject of one of the Library of Michigan’s 2013 Notable Books Balthazar Korab Architect of Photography by John Comazzi (Princeton Architectural Press), was a trained architect but gained his greatest fame for his stunning architectural photographs.

On Friday, May 15, 2009, Balthazar Korab was presented with a Lifetime Achievement Award by MHPN. Text from that presentation is provided here.

For more than 50 years, Balthazar Korab has been recognized throughout the world as a photographer of architecture, art, and landscape. It is also Balthazar’s photographic documentation of the architecture of Michigan, and his tireless support of its recognition and preservation, that make it particularly appropriate for him to receive the Michigan Historic Preservation Network’s Lifetime Achievement Award – the twenty-fourth individual to do so in the award’s 18-year history.

Balthazar was born in 1926 in Hungary and studied architecture at the Polytechnicum in Budapest. In 1949, he fled Hungary’s communist government, emigrating to Paris where he completed his architectural studies in 1954 at L’Ecole des Beaux Arts, and where he studied art history at L’Ecole du Louvre. These studies were cap-stoned by a summer of study in Venice at Les Congres Internationaux d’Architecture Moderne.

In 1955, after stints as a journeyman under Le Corbusier and other European architects, Balthazar moved to the U.S. Eero Saarinen hired him as a designer in his Bloomfield Hill’s office at Cranbrook. Under Saarinen, Balthazar experimented not only in architectural design – receiving fourth prize in the Sydney Opera House Competition – but began his lifelong work with photography as a design tool. His contributions already were recognized by 1964 when he was awarded the American Institute of Architects Medal for Architectural Photography. By then, Balthazar had decided to stay in the U.S. and became a naturalized citizen in that same year. He had been fully embraced by the architectural community in Detroit, with many firms retaining him to document their projects. About his work, Balthazar stated, “I have always considered myself an architect who takes pictures, rather than a photographer who is knowledgeable about architecture.”

In addition to Saarinen, Balthazar has worked with some of the world’s most important architects including Louis Sullivan, Frank Lloyd Wright – who invited him to join Taliesin in 1958, Le Corbusier, Louis Kahn, Harry Weese, Frank Gehry, Marcel Breuer, Minoru Yamasaki, Ludwig Mies van der Rohe, Philip Johnson, Cesar Pelli, and I.M. Pei. His photographic work has been in dozens of exhibits and is found in public and private collections including the Detroit Institute of Arts, the Museum of Modern Art in New York, the U.S. Library of Congress, and Montreal’s L’Centre Canadien d’Architecture. He also has been featured in a number of publications, most recently the Michigan Architectural Foundation’s text, Great Architecture of Michigan.

We are extraordinarily proud that Balthazar and his wife Monica chose to make their home in Michigan and raise their children Christian and Alexandra here. The couple resides in Troy on a four-acre historic homestead where they operate his photography studio. Balthazar has been committed to his State serving on the Governor’s Committee on Art in Public Places, as Design Editor of Metropolitan Detroit, and on the Design Advisory Committee for Cranbrook. And he has been recognized for this commitment with Honorary Memberships in the Michigan Society of Architects, the AIA Detroit Chapter, and the Michigan Society of Landscape Architects. In 1994, then-President Bill Clinton presented a hand-selected portfolio of Balthazar’s photography to Arpad Goncz, the President of Hungary, on his state visit to Budapest. Most recently in 2007, Balthazar received both the AIA Lifetime Achievement Award for Photography, and, the Hungarian Institute of Architects’ Honorary Award for Lifetime Achievement.

Of his work, Balthazar states, “I am an architect with a passion for nature’s lessons and man’s interventions. My images are born out of a deep emotional investment in their subject.” We are deeply appreciative that Balthazar Korab has joined us this evening to receive the Michigan Historic Preservation Network’s Lifetime Achievement Award.

This press release is from the Michigan Historic Preservation Network.
The MHPN is Michigan’s statewide preservation organization and the advocacy and resource group for preservationists from all backgrounds. Founded in 1981 to foster the preservation and protection of Michigan’s rich cultural and architectural heritage, MHPN has led the effort to strengthen the Local Historic District Act [P.A. 169 of 1970 (as amended)] and worked to establish a Michigan Historic Tax Credit that, for over ten years, helped revitalize historic and traditional communities throughout the state. For more information about MHPN and its annual awards program, now in its 22nd year, please visit our website at: www.mhpn.org.

Michigan Modern: Design that Shaped America

Save the Date
Michigan Modern: Design that Shaped America
Symposium and Exhibition June 2013

Symposium June 13–16, 2013
Cranbrook Educational Community, Bloomfield Hills, Michigan

Exhibition June 14–October 13, 2013
Cranbrook Art Museum, Bloomfield Hills, Michigan

Michigan’s design visionaries touched nearly every aspect of American life.

  • Automobile companies stylized the cars that became part of the American dream
  • The furniture industry revolutionized the American home and office
  • Architects Eero Saarinen and Minoru Yamasaki defined an era.
  • Join nationally renowned speakers and tour Michigan’s outstanding modern sites: General Motors Technical Center, Lafayette Park, Alden Dow Home and Studio, McGregor Memorial Center and the Ford River Rouge Plant.

    For details, visit michiganmodern.org or call 517.373.1630. Symposium registration opens February 2013 and includes the exhibition opening reception.
    Developed by the Michigan State Historic Preservation Office and Cranbrook Art Museum.

    tour: in-progress renovation of midcentury ranch

    Homeowner Paul Hickman (owner of Urban Ashes) is opening the opportunity to experience a rare hands-on opportunity to visit an in-progress transformation of a historic mid-century modern ranch featuring a multitude of unconventional and reclaimed materials from the site and beyond.

    The next installment of the Visible Green Home™/Behind the Drywall™ Tour showcases the “story” behind a home and the owner’s 18 years of professional experience specifying sustainable finishes and materials as a consultant/designer. This mid-century modern, dubbed “Rancho Deluxe”, is being revived utilizing many of the same materials deconstructed from the site during the renovation. With these materials from the site, along with other unconventional and reclaimed materials, Rancho Deluxe creates a unique sense of place that respects the history of the home while looking to the future. Where new materials and fixtures are required, the focus is American made, locally sourced, or reclaimed whenever possible.

    Guided tours will take place on Saturday and Sunday, December 8th and 9th, 2012. The event is free however; pre-registration is required by visiting www.behindthedrywall.com or by calling 734-619-8024.

    Some key materials and their stories:

    • The original Redwood clapboards, unearthed under the 1970’s vinyl siding, will be repurposed as siding for the new Urban Ashes studio on site.
    • The old vinyl siding went to another homeowner to clad a new addition and garage.
    • All of the ½” rigid foam from under the vinyl was salvaged and is being reused on site as a component of the new thermal envelope.
    • The new exterior house siding and trim is sourced from 100 year-old Michigan barns, once at the heart of the state’s agriculture infrastructure, and now diverted from the landfill.
    • The concrete patio material, removed to insulate the foundation, was salvaged and will be utilized on site for retaining walls and as broken pavers.
    • The existing interior doors, plumbing & lighting fixtures, laminate flooring, appliances and mechanical fixtures not vintage to the house or era, were donated to local charities or relocated to new homes.
    • All of the new interior doors will be vintage “Miracle” doors sourced through Reclaim Detroit from deconstructed Detroit homes slated for landfill.
    • New flooring, trim, and cabinetry designed by the homeowner in a 1940’s style, will be crafted from trees downed by the Dexter Tornado of 2012, and from the only large tree removed from the site necessary to fully expose the solar array used to power the home and studio year round.
    • The new interior color palette, designed to pay homage to the 1940’s, will be created using petroleum-free, non-toxic, plant oil-based paints.

    About the Tour Organizers

    This tour is being organized by a collaborative of local companies which include: Meadowlark Energy, Architectural Resource, Urban Ashes, Thrive Net-Zero Collaborative, Renovo Power Systems, Wood Window Repair, Land Architects, Brian Schmidt Carpentry, Nicki Wilson Lighting, Big George’s, Bgreen Today, Neighborhood Roofing, 2nd Chance Wood Company, and Reclaim Detroit. For more information go to www.ranchodeluxe.info

    Lecture: Furniture Design as Art: Eames Furniture History (Kalamazoo)

    Of interest to a2modern!

    Art League Lecture: Furniture Design as Art: Eames Furniture History

    Dates: Wed Dec 12, 12
    Time: 10:00am
    Location:
    Kalamazoo Institute of Arts
    314 S. Park St., Kalamazoo, MI 49007
    Kalamazoo, MI
    Contact:
    (269) 349-7775
    Carla Atwood Hartman, the granddaughter of Charles and Ray Eames, will discuss the history of the famous Eames furniture design and lead a tour of Good Design: Stories from Herman Miller at the Kalamazoo Valley Museum after the lecture reception.
    Free for Art League Members/$10 KIA Members/$12 general admission/$3 students with valid college ID.
    Early in their careers together, Charles and Ray Eames identified the need for affordable, yet high-quality furniture for the average consumer — furniture that could serve a variety of uses. For forty years the Eameses experimented with ways to meet this challenge, designing flexibility into their compact storage units and collapsible sofas for the home; seating for stadiums, airports, and schools; and chairs for virtually anywhere.

    Their chairs were designed for Herman Miller in four materials — molded plywood, fiberglass-reinforced plastic, bent and welded wire mesh, and cast aluminum. The conceptual backbone of this diverse work was the search for seat and back forms that comfortably support the human body, using three dimensionally shaped surfaces or flexible materials instead of cushioned upholstery. An ethos of functionalism informed all of their furniture designs. “What works is better than what looks good,” Ray said. “The looks good can change, but what works, works.”

    For more information: http://www.kiarts.org/event.php?calendar_id=13&event_id=643